Denon AVR-5805 Instruções de Operação Página 182
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[5] Home THX Cinema Surround
THX is an exclusive set of standards and technologies established by the world-renowned film production company, THX Ltd. THX grew from
George Lucas’ personal desire to make your experience of the film soundtrack, in both movie theaters and in your home theater, as faithful
as possible to what the director intended.
Movie soundtracks are mixed in special movie theaters called dubbing stages and are designed to be played back in movie theaters with
similar equipment and conditions. The soundtrack created for movie theaters is then transferred directly onto Laserdisc, VHS tape, DVD, etc.,
and is not changed for playback in a small home theater environment.
THX engineers developed patented technologies to accurately translate the sound from the movie theater environment into the home,
correcting the tonal and spatial errors that occur. On the AVR-5805, when the Home THX Cinema mode is on, THX post-processing is
automatically added after the Dolby Pro Logic, Dolby Digital or DTS decoder:
Re-Equalization
TM
The tonal balance of a film soundtrack will be excessively bright and harsh when played back over audio equipment in the home because film
soundtracks are designed to be played back in large movie theaters using very different professional equipment. Re-Equalization restores the
correct tonal balance for listening to a movie soundtrack in a normal home environment.
Timbre Matching
TM
The human ear changes our perception of a sound depending on the direction from which the sound is coming. In a movie theater, there is
an array of surround speakers so that the surround information is all around you. In a home theater, only two speakers located to the side of
your head are used. The Timbre Matching feature filters the information going to the surround speakers so that they more closely match the
tonal characteristics of the sound coming from the front speakers. This ensures seamless panning between the front and surround speakers.
Adaptive Decorrelation
TM
In a movie theater, a large number of surround speakers help create an enveloping surround sound experience, while in a home theater there
are usually only two speakers. This can make the surround speakers sound like headphones that lack spaciousness and envelopment. The
surround sounds will also collapse into the closest speaker as you move away from the middle seating position. Adaptive Decorrelation slightly
changes one surround channel’s time and phase relationship with respect to the other surround channel. This expands the listening position
and creates—with only two speakers—the same spacious surround experience as in a movie theater.
THX Ultra2
TM
Before any home theater component can be THX Ultra2 certified, it must incorporate all the features above and also pass a rigorous series of
quality and performance tests. Only then can a product feature the THX Ultra2 logo, which is your guarantee that the Home Theater products
you purchase will give you superb performance for many years to come. THX Ultra2 requirements cover every aspect of the product including
power amplifier performance, pre-amplifier performance and operation, as well as hundreds of other parameters in both the digital and analog
domain.
In addition to improvements to the power amplifier with respect to previous THX Ultra standards, two surround modes have been added: the
THX Ultra2 Cinema mode, THX Music Mode and THX Games Mode.
[4] DTS 96/24
The sampling frequency, number of bits and number of channels used for recording of music, etc., in studios has been increasing in recent
years, and there are a growing number of high quality signal sources, including 96 kHz/24 bit 5.1-channel sources.
For example, there are high picture/sound quality DVD video sources with 96 kHz/24 bit stereo PCM audio tracks.
However, because the data rate for these audio tracks is extremely high, there are limits to recording them on two channels only, and since
the quality of the pictures must be restricted it is common to only include still pictures.
In addition, 96 kHz/24 bit 5.1-channel surround is possible with DVD audio sources, but DVD audio players are required to play them with this
high quality.
DTS 96/24 is a multi-channel digital signal format developed by Digital Theater Systems Inc. in order to deal with this situation.
Conventional surround formats used sampling frequencies of 48 or 44.1 kHz, so 20 kHz was about the maximum playback signal frequency.
With DTS 96/24, the sampling frequency is increased to 96 or 88.2 kHz to achieve a wide frequency range of over 40 kHz.
In addition, DTS 96/24 has a resolution of 24 bits, resulting in the same frequency band and dynamic range as 96 kHz/24 bit PCM.
As with conventional DTS Surround, DTS 96/24 is compatible with a maximum of 5.1 channels, so sources recorded using DTS 96/24 can be
played in high sampling frequency, multiple channel audio with such normal media as DVD videos and CDs.
Thus, with DTS 96/24, the same 96 kHz/24 bit multi-channel surround sound as with DVD-Audio can be achieved while viewing DVD-Video
images on a conventional DVD-Video player ( 1). Furthermore, with DTS 96/24 compatible CDs, 88.2 kHz/24 bit multi-channel surround can
be achieved using normal CD/LD players ( 1).
Even with the high quality multi-channel signals, the recording time is the same as with conventional DTS surround sources.
What’s more, DTS 96/24 is fully compatible with the conventional DTS surround format, so DTS 96/24 signal sources can be played with a
sampling frequency of 48 kHz or 44.1 kHz on conventional DTS or DTS-ES surround decoders ( 2).
1: A DVD player with DTS digital output capabilities (for CD/LD players, a player with digital outputs for conventional DTS CDs/LDs) and
a disc recorded in DTS 96/24 are required.
2: The resolution is 24 or 20 bits, depending on the decoder.
- AVR-5805 1
- ATTENTION 2
- SAFETY INSTRUCTIONS 3
- TABLE OF CONTENTS 4
- BEFORE USING 6
- CAUTIONS ON INSTALLATION 6
- FEATURES 7
- CAUTIONS ON HANDLING 7
- CONNECTIONS 9
- Connecting Audio Components 10
- Connecting Video Components 11
- Connecting a monitor TV 12
- Connecting the video decks 12
- Connecting a TV 12
- The Video Conversion Function 13
- Connecting the ZONE2 jacks 17
- DENON LINK connections 18
- 2 IEEE1394 network 19
- Protector circuit 20
- Note on speaker impedance 20
- Cooling fan 20
- PART NAMES AND FUNCTIONS 22
- Remote control unit 25
- SYSTEM SETUP 26
- 2 Speaker system layout 29
- Before setting up the system 30
- Auto Setup / Room EQ 30
- Microphone 32
- 1-1. Setting the Auto Setup 33
- . Extra Setup 34
- . Preliminary measurements 35
- . Speaker system measurement 36
- Sp Config.Check 38
- *Auto Setup 38
- About the error message 39
- 1-3. Setting the Direct Mode 41
- Function 42
- 1-5. Check the Parameter 43
- Setting the Speaker Setup 46
- Front : Small 47
- *Speaker Config 47
- Subwoofer Setup 48
- *Speaker Setup 48
- Mode: LFE-THX 48
- *SubwooferSetup 48
- 2-3. Setting the Delay Time 49
- FL : -11.5dB 52
- TestTone Auto 52
- TestTone Manual 52
- .('/CKP 53
- CINEMA : A 55
- *Surr Sp Setup 55
- Surr Sp Setup 55
- Setting the Audio Input Setup 58
- Input Func.Lev 62
- *Audio In Setup 62
- TUNER : 0dB 62
- *Input Func.Lev 62
- IEEE1394 Auto 66
- Auto Func: OFF 66
- *IEEE1394 Auto 66
- 3-7. Tuner Presets 67
- [2] Preset Skip 68
- [3] Preset Name 69
- Setting the Video Setup 71
- Video Mode 72
- *Video Setup 72
- DVD : Auto 72
- *Video Mode 72
- 4-3. Setting the Video Scaler 73
- MotionDet: MID 74
- *3D Y/C Sep 74
- 3D Y/C Sep 74
- 4-6. Setting the Audio Delay 76
- Func/Mode: ON 77
- *On Screen 77
- On Screen 77
- Setting the Advanced Playback 78
- Direct or Stereo 79
- Dolby D Setup 80
- *Advanced Play 80
- Comp. : OFF 80
- *Dolby D Setup 80
- IIx cinema) 81
- Zone Setup 85
- *System Setup 85
- Z2 Sp Config 85
- *Zone Setup 85
- *Z2 Sp Config 86
- <QPG 87
- Z2 Test Tone A 91
- Z2 Test Tone M 91
- [2] Audio Delay (Zone2) 94
- Setting the Option Setup 97
- 2 Channel setup flow 97
- Main : 9.1CH 98
- *Channel Setup 98
- Channel Setup 98
- 2 Connecting the preouts 100
- 2 Amp Assign mode 103
- Limit : OFF 106
- *Volume :Main 106
- Volume Control 106
- *Option Setup 106
- 7-4. Setting the Trigger Out 107
- DRCT/ST : ON 108
- *Trigger Out 1 108
- *Trigger Out 108
- [1] User Memory 110
- [2] Setup Lock 111
- After completing system setup 112
- REMOTE CONTROL UNIT 113
- 6, 7 : Manual search 114
- 2 : Stop 114
- 1 : Play 114
- 8, 9 : Auto search 114
- 3 : Pause 114
- Preset memory 116
- Learning function 119
- System call 120
- Punch Through 121
- Setting the brightness 122
- Resetting 123
- Before operating 125
- Playing the input source 126
- M.VOL. -80.0dB 127
- (Main unit) 129
- After starting playback 130
- (Remote control unit) 132
- [2] Channel Level 134
- [1] Test Tone 134
- Fader function 135
- IIų¥ń¥à¥ŕʼnř 137
- Checking the input signal 138
- 2 Dialogue Normalization 141
- Dolby Pro Logic 142
- IIx music mode screen 143
- IIx and Pro Logic II Mode: 143
- DTS NEO:6 mode 144
- The Dolby Headphone 145
- 2 Calling the settings out 146
- DENON ORIGINAL SURROUND MODES 147
- DSP surround simulation 148
- Tone control setting 149
- MULTI ZONE 151
- MAIN ZONE 9.1-channel system 152
- ZONE2 5.1-channel system 152
- MAIN ZONE 7.1-channel system 153
- ZONE2 7.1-channel system 153
- ZONE2 STEREO/MONO system 154
- ZONE3 STEREO/MONO system 155
- ZONE4 STEREO/MONO system 156
- System setup for multi-zone 159
- Zone2 Surround 162
- Zone2 tone control setting 164
- Auto tuning 165
- Recalling preset stations 168
- 2 Program Type (PTY) 169
- 2 Traffic Program (TP) 169
- 2 Radio Text (RT) 169
- RDS search 170
- PTY search 171
- TP search 172
- RT (Radio Text) 173
- TROUBLESHOOTING 174
- ADDITIONAL INFORMATION 175
- Surround back speakers 176
- Speaker setting examples 177
- Surround 179
- II offers a wider 180
- 2 DTS-ES™ Discrete 6.1 181
- 2 DTS-ES™ Matrix 6.1 181
- 2 DTS Neo:6™ surround 181
- Audyssey MultEQ XT 184
- About IEEE1394 185
- About HDMI 185
- Advanced AL24 Processing 185
- Surround modes and parameters 186
- SPECIFICATIONS 190
- 2 General 191
- TOKYO, JAPAN 192
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